{"title":"Current Exhibition","description":"\u003ch3 dir=\"ltr\" style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch1 dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eIN BALANCE \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003e10 - 24 September\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eBalance is both a physical act and an aesthetic pursuit. Our current exhibition 'In Balance' brings together the work of \u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003eAnn Van Hoey\u003c\/a\u003e, \u003ca href=\"https:\/\/maudandmabel.com\/collections\/emelie-abrahamsson\"\u003eEmelie Abrahamsson\u003c\/a\u003e, \u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\"\u003eKoichi Onozawa\u003c\/a\u003e, \u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\"\u003eBarbara Gittings\u003c\/a\u003e and \u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\"\u003eJayne Armstrong\u003c\/a\u003e, working across ceramics and wood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"text-align: center;\"\u003e\u003cspan\u003eThe exhibition explores the tension and precision required to create free flowing, easy yet dramatic forms. Some works appear to defy gravity, poised on a single point, while others find harmony through proportion, surface and subtle shifts in tone. A number invite interaction, rocking or playfully wobbling, their movement only achievable through intense precision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","products":[{"product_id":"barbara-gittings-large-oval-vessel","title":"Barbara Gittings 'Large Oval Vessel'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 16cm x W 37cm x D 33cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391049048437,"sku":"BG261-2","price":2700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2614_55fb5bf9-4453-4333-84d2-681efde91bf2.jpg?v=1788944013"},{"product_id":"barbara-gittings-large-head-bowl","title":"Barbara Gittings 'Large Head Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 16.5cm x W 19cm x D 16cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391049441653,"sku":"BG261-3","price":792.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2442_488bce12-7483-4b9b-9f71-c14e69449a18.jpg?v=1787998941"},{"product_id":"barbara-gittings-medium-head-bowl","title":"Barbara Gittings 'Medium Head Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 15cm x W 16cm x D 14cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391051506037,"sku":"BG261-4","price":660.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2413_8e1b0b40-faee-4ed0-b819-bd7bfe022956.jpg?v=1788944774"},{"product_id":"barbara-gittings-small-head-bowl","title":"Barbara Gittings 'Small Head Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 14cm x W 14cm x D 12cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391051964789,"sku":"BG261-5","price":588.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2515.jpg?v=1787998940"},{"product_id":"barbara-gittings-tiny-head-bowl","title":"Barbara Gittings 'Tiny Head Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 11cm x W 13cm x D 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391052259701,"sku":"BG261-6","price":396.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2435.jpg?v=1787998938"},{"product_id":"barbara-gittings-pebble-bowl-i","title":"Barbara Gittings 'Pebble Bowl I'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 9cm x W 16.5cm x D 12.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391052554613,"sku":"BG261-7","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2425_c0e70c59-2c04-4db7-bbc9-2453d2d815d1.jpg?v=1787998940"},{"product_id":"barbara-gittings-bowl-i","title":"Barbara Gittings 'Bowl I'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 8cm x W 5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391052783989,"sku":"BG261-8","price":354.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2496_a2a1e555-c452-4474-a6e2-e824376d596c.jpg?v=1787998937"},{"product_id":"barbara-gittings-little-bottle-i","title":"Barbara Gittings 'Little Bottle I'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 15cm x W 5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391053406581,"sku":"BG261-9","price":276.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2580_0b64722c-fcbf-4bab-8587-adbed301b397.jpg?v=1787998938"},{"product_id":"barbara-gittings-little-bottle-ii","title":"Barbara Gittings 'Little Bottle II'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 15cm x W 5.5cm x D 6cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391053996405,"sku":"BG261-10","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2584_0424d801-68d4-40d9-8e96-78ff0f4d510f.jpg?v=1787998940"},{"product_id":"barbara-gittings-little-bottle-iii","title":"Barbara Gittings 'Little Bottle III'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 14cm x W 5cm x D 6cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391054291317,"sku":"BG261-11","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2578_2b84638a-0994-45a5-b848-a0373e7df301.jpg?v=1787998939"},{"product_id":"barbara-gittings-little-bottle-iv","title":"Barbara Gittings 'Little Bottle IV'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 13cm x W 9cm x D 4.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391054913909,"sku":"BG261-12","price":252.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2579.jpg?v=1787998940"},{"product_id":"barbara-gittings-bowl-ii","title":"Barbara Gittings 'Bowl II'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 9cm x W 17.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391055274357,"sku":"BG261-13","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2393_3ec71c2a-422b-4cb4-9396-77e1b557c79e.jpg?v=1787998940"},{"product_id":"barbara-gittings-tiny-asymmetric-rhomboid-form","title":"Barbara Gittings 'Tiny Asymmetric Rhomboid Form'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 11cm x W 15cm x D 11cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391055929717,"sku":"BG261-14","price":390.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2407_c6cdddfc-b715-46ce-912d-9a100bd8d4d7.jpg?v=1788944210"},{"product_id":"barbara-gittings-pebble-bowl-ii","title":"Barbara Gittings 'Pebble Bowl II'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 9.5cm x W 16cm x D 13cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391056159093,"sku":"BG261-15","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2530.jpg?v=1787998938"},{"product_id":"barbara-gittings-oval-asymmetric-form","title":"Barbara Gittings 'Oval Asymmetric Form'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 12cm x W 29cm x D 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391056421237,"sku":"BG261-16","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2459_2175038a-9bae-4cb0-9162-5ab13ecd033a.jpg?v=1788944319"},{"product_id":"barbara-gittings-asymmetric-sculptural-bowl","title":"Barbara Gittings 'Asymmetric Sculptural Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 14.5cm x W 27cm x D 27.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391056650613,"sku":"BG261-17","price":1080.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2656_09978fbb-2012-4136-b6d9-070c4d5b2c9d.jpg?v=1788943896"},{"product_id":"barbara-gittings-tilted-bowl-i","title":"Barbara Gittings 'Tilted Bowl I'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 19cm x W 25cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391056912757,"sku":"BG261-18","price":900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2573_707e06fb-8740-4a2f-9db9-f706cb9370af.jpg?v=1787998939"},{"product_id":"barbara-gittings-tilted-bowl-ii","title":"Barbara Gittings 'Tilted Bowl II'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 16cm x W 23cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391057142133,"sku":"BG261-19","price":720.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2539.jpg?v=1787998940"},{"product_id":"barbara-gittings-tilted-bowl-iii","title":"Barbara Gittings 'Tilted Bowl III'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 12cm x W 18cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Porcelain, oxides and stains\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Nerikomi (Japanese pottery method in which \u003cmeta charset=\"utf-8\"\u003econtrasting coloured pieces of clay are arranged in a mosaic-like fashion),\u003cem\u003e \u003c\/em\u003esmoke-fired, unglazed and waxed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Decorative only, keep out of direct sunlight, wax surfaces with a high-quality furniture polish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara’s use of Nerikomi and smoke firing makes her work exceptionally unique, blending a sense of serenity with experimental inexactness. She has spent over 10 years of her practice mastering the skill hidden within her intricate clay layering, inspired by a Chinese Nerikomi teapot she saw in 1999. Thoroughly enjoying the tactility of producing ceramics, and using her existing skills as a pattern cutter to develop complex shapes, she sees her work as “the manifestation of a thousand traditions.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe intentional imbalance of her pieces allows the viewer to physically connect with the work, of which is complemented by obscure, irregular repetition, primitive mark-making, and soft earthy blues, browns, and whites. Her fascination with the world’s organic geometry and the way in which processes such as erosion distort nature’s original symmetry has an incredible influence on her practice. This sense of awareness allows her work to adopt obscure forms, and whilst incredibly independent, they are united by their irregularity. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara says: “I’m constantly exploring these balances between symmetry and asymmetry, perfection and imperfection, the line between order and chaos and the juxtaposition between control and spontaneity.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBarbara Gittings started producing ceramic works in 1999 and continued to develop her blend between Nerikomi and smoke firing until eventually beginning sales of her pieces in 2013. Her influenced use of repetitive layering, intentional imbalance, and earthy tones is shaped through her constant observation of life around her, allowing daily moments to seep into her subconscious, waiting for them to be released when later engaging with clay. These mentally submerged images and patterns then dictate her works in progress, resulting in complex pieces that feel both serene and experimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/barbara-gittings\" title=\"Read more about Barbara's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Barbara's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Barbara Gittings","offers":[{"title":"Default Title","offer_id":57391057404277,"sku":"BG261-20","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2541_e2e92a43-1c1f-4039-8259-175847de03c7.jpg?v=1787998940"},{"product_id":"koichi-onozawa-suzu-vessel-i","title":"Koichi Onozawa 'Suzu Vessel I'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 28.6cm x W 35.3cm x H 12.7cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. His vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “For my vintage silver-colored works, I spread tin powder over the lacquer, which acts as a binder to secure the powder in place.” Though seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form, and through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500033646965,"sku":"KONO261-1","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3141.jpg?v=1788263694"},{"product_id":"koichi-onozawa-suzu-vessel-ii","title":"Koichi Onozawa 'Suzu Vessel II'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 23.2cm x W 27.5cm x H 10.3\u003c\/span\u003e\u003cspan\u003ecm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “For my vintage silver-colored works, I spread tin powder over the lacquer, which acts as a binder to secure the powder in place.” Though seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form, and through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500330099061,"sku":"KONO261-2","price":520.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3158.jpg?v=1788263694"},{"product_id":"koichi-onozawa-kuro-vessel-i","title":"Koichi Onozawa 'Kuro Vessel I'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 21cm x W 26.5cm x H 15.2cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500331016565,"sku":"KONO261-3","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3008.jpg?v=1788263694"},{"product_id":"koichi-onozawa-kuro-vessel-ii","title":"Koichi Onozawa 'Kuro Vessel II'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 17.5cm x W 26cm x H 12.6cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500332294517,"sku":"KONO261-4","price":480.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3050.jpg?v=1788263693"},{"product_id":"koichi-onozawa-kuro-vessel-iii","title":"Koichi Onozawa 'Kuro Vessel III'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 18.5cm x W 24.5cm x H 8.2cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500341404021,"sku":"KONO261-5","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3012_860bb0d0-1135-47c0-afdb-98492c713acf.jpg?v=1788263692"},{"product_id":"koichi-onozawa-kuro-vessel-iv","title":"Koichi Onozawa 'Kuro Vessel IV'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 20cm x W 21cm x H 9.5cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500343959925,"sku":"KONO261-6","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3052.jpg?v=1788263693"},{"product_id":"koichi-onozawa-kuro-vessel-v","title":"Koichi Onozawa 'Kuro Vessel V'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 21cm x W 21cm x H 8.3cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500353266037,"sku":"KONO261-7","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3054_d7309c85-2eb1-4b9e-b8dc-8964da89cdff.jpg?v=1788263693"},{"product_id":"koichi-onozawa-kuro-vessel-vi","title":"Koichi Onozawa 'Kuro Vessel VI'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 18cm x W 19cm x H 8.2cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500357919093,"sku":"KONO261-8","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2972.jpg?v=1788263693"},{"product_id":"koichi-onozawa-kuro-vessel-vii","title":"Koichi Onozawa 'Kuro Vessel VII'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 17cm x W 20.5cm x H 14cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500361556341,"sku":"KONO261-9","price":220.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3100_0bd1b344-0c3d-4f65-924b-891d7f4c0242.jpg?v=1788263688"},{"product_id":"koichi-onozawa-kuro-vessel-viii","title":"Koichi Onozawa 'Kuro Vessel VIII'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 32.4cm x W 28.3cm x H 19.2cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500378268021,"sku":"KONO261-10","price":680.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2961.jpg?v=1788263693"},{"product_id":"koichi-onozawa-kuro-vase-i","title":"Koichi Onozawa 'Kuro Vase I'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 29.2cm x W 29.2cm x H 26.8cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500379611509,"sku":"KONO261-11","price":980.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3056.jpg?v=1788263694"},{"product_id":"koichi-onozawa-kuro-vase-ii","title":"Koichi Onozawa 'Kuro Vase II'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - L 20.5cm x W 20.5cm x H 15.7cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Tōtai Shikki (the process of applying layers of lacquer to the surface of a fired ceramic piece)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Wash gently with warm water and a mild dish soap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi’s pieces possess a gentle elegance, as light falls and ripples across the polished surfaces. \u003cmeta charset=\"utf-8\"\u003eHis vessels seek to express the integration of primitive beauty in modernity through their forms, reminiscent of the ancient Yayoi pottery of Japan. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis work achieves a deep understanding of technique through his use of Tōtai Shikki, which involves applying layers of lacquer to a fired ceramic piece. Initially, Koichi applies four different decorative slips in 5 successive layers, later polishing them to reveal these multiple surfaces. He then applies several thin coats of lacquer and polishes the works again, resulting in a complex and expressive finish through subtle changes in colour and texture. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHe says: “My work combines the distinct, hard texture of ceramics with the deep luster and functional properties of lacquer.” \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThough seemingly weightless in their balanced appearance, Koichi’s pieces hold a surprising weight and density to their form. Through traditional Japanese materials and methods, he achieves a new and unique mode of expression. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKoichi Onozawa is a successful studio ceramicist from Nakagawa, Tochigi Prefecture. He grew up in Tokyo, where he studied economics, and soon turned his hand to ceramics. He graduated from a prestigious ceramic school in Tajimi City in 2008 with a degree in ceramic design, and soon moved to rural Nakagawa in 2011, where he still practices today. Here, he started creating more functional ware, influenced by the local rice and pottery trade. Koichi practices in ceramics as he feels the equality of people is connected by sensation and emotion when perceiving beautiful objects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/koichi-onozawa\" title=\"Read more about Koichi's practice and view his full collection...\"\u003e\u003cem\u003eRead more about Koichi's practice and view his full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Koichi Onozawa*","offers":[{"title":"Default Title","offer_id":57500384395637,"sku":"KONO261-12","price":750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A3073_4f365e92-6a71-4729-9015-10045cbc32a8.jpg?v=1788263694"},{"product_id":"jayne-armstrong-blush-pink-oak","title":"Jayne Armstrong 'Bowl in Blush Pink Oak'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 31cm x H 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Oak, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510707003765,"sku":"JA261-1","price":630.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2851.jpg?v=1787998907"},{"product_id":"jayne-armstrong-bowl-in-weightless-oak","title":"Jayne Armstrong 'Bowl in Weightless Oak'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 20cm x H 12cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Oak, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510712902005,"sku":"JA261-2","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2896_4bd279a3-5a56-4a62-9790-c73b29828841.jpg?v=1787998908"},{"product_id":"jayne-armstrong-oak-vessel-3","title":"Jayne Armstrong 'Oak Vessel'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 14cm x H 15cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Oak, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510715359605,"sku":"JA261-3","price":410.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2950.jpg?v=1787998907"},{"product_id":"jayne-armstrong-bowl-in-flamed-eucalyptus","title":"Jayne Armstrong 'Bowl in Flamed Eucalyptus'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 21cm x H 14cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Eucalyptus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510716014965,"sku":"JA261-7","price":580.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2700.jpg?v=1787998907"},{"product_id":"jayne-armstrong-whitened-deep-footed-bowl-in-sycamore","title":"Jayne Armstrong 'Whitened Deep Footed Bowl in Sycamore'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 21cm x H 16 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Sycamore, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510716899701,"sku":"JA261-8","price":580.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2672.jpg?v=1787998907"},{"product_id":"jayne-armstrong-deep-foot-bowl-in-sycamore","title":"Jayne Armstrong 'Deep Foot Bowl in Sycamore'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - ⌀ 14cm x W 20cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Sycamore, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510718046581,"sku":"JA261-9","price":580.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2923_6828a294-0916-405d-a893-cb2d728502c6.jpg?v=1787998907"},{"product_id":"jayne-armstrong-stained-oak-bowl","title":"Jayne Armstrong 'Stained Oak Bowl'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 11cm x W 11cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Oak, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510718341493,"sku":"JA261-4","price":340.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2743_a64bf914-f611-4504-af04-5f1e046443fa.jpg?v=1787998907"},{"product_id":"jayne-armstrong-stained-oak-hollow","title":"Jayne Armstrong 'Stained Oak Hollow'","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensions - H 16cm x W 17cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Oak, wax finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510718996853,"sku":"JA261-5","price":530.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2883_aef5c2cb-b4c5-4feb-a248-2bd418c235b5.jpg?v=1787998908"},{"product_id":"jayne-armstrong-painterly-sculptural-eucalyptus","title":"Jayne Armstrong 'Painterly Sculptural Eucalyptus'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - L 15cm x W 12cm x H 6cm\u003cspanaptos data-sheets-root=\"1\"\u003eL 15 x W 12 x H 6 cm\u003c\/spanaptos\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Eucalyptus, acrylic finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Turned to one or two millimetres on a woodturning lathe, then laid out to dry naturally\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Lightly dust or use a damp cloth; to be handled very gently\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong explores the sculptural and aesthetic possibilities of traditional woodwork, experimenting with the ways the material moves and changes shape as it dries. Through this approach, the resulting works are remarkably unique in their colouring, form, and irregular markings, both intentional and accidental. \u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach piece begins life on a woodturning lathe where it is often turned to no more than one or two millimetres before being left to dry naturally. Once dry, Jayne carves, bleaches, stains, burns, embellishes, paints, oils and waxes. Jayne describes this process as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe works possess an exceptional weightlessness; incredibly thin to the touch and balanced upon a singular point. Practising in Eucalyptus, Oak, and Sycamore for this collection, Jayne’s pieces carry a sense of story in their natural surfaces and her hand staining, marking, and painting. Each piece is intentionally unique and the outcome of multiple processes.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJayne Armstrong works primarily in fresh, green wood to explore the sculptural and aesthetic possibilities of a material that moves and changes shape as it dries. Jayne’s academic background within cultural studies informs and underpins her approach to woodwork. Experimental and exploratory, her work draws from art history, design history and philosophy. She describes her work as a dialogue between material, concept, technology and technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/jayne-armstrong\" title=\"Read more about Jayne's practice and view her full collection...\"\u003e\u003cem\u003eRead more about Jayne's practice and view her full collection...\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jayne Armstrong","offers":[{"title":"Default Title","offer_id":57510719160693,"sku":"JA261-6","price":290.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2809_35df8f60-fc32-4799-92a5-9a9f41b17821.jpg?v=1787998907"},{"product_id":"emelie-abrahamsson-curve-vessel-i","title":"Emelie Abrahamsson 'Curve Vessel I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 45cm x ⌀ 49cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - Stoneware\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"utf-8\"\u003eWhilst this piece is watertight, it is intended to be purely sculptural\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eWorking with tonal variations created through the application of locally gathered pigments from Hönö, Emelie Abrahamsson employs the ancient technique of egg tempera to colour her vessels. This process preserves the immediacy of the clay’s natural surface, allowing subtle shifts in tone and texture to emerge. The resulting finish carries a remarkable softness and depth, its muted hues responding gently to changing light while maintaining a quiet connection to the landscape from which they originate.\u003c\/p\u003e\n\u003cp\u003ePerfectly balanced in form, this vessel rises from a delicate, narrow foot before expanding outward into a generous, rounded body. The volume reaches its fullest expression only briefly, folding back into itself with quiet confidence toward a restrained opening at the crown. A soft, deliberate indentation interrupts the symmetry, introducing a subtle wave like movement that animates the form without disturbing its composure.\u003c\/p\u003e\n\u003cp\u003eBoth sculptural and functional, the vessel embodies Abrahamsson’s distinctive language: refined yet deeply tactile, contemporary yet rooted in ancient processes. Its presence is one of stillness and restraint, inviting close observation as light travels across its surface, revealing the nuanced tonal variations and the living character of the clay beneath.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEmelie Abrahamsson is an emerging ceramic artist based in Hönö, an island in the Swedish archipelago. She has been working with ceramics since 2018. Today, she creates modern ceramic pieces combining art, design and functionality at her own company, \u003c\/span\u003e\u003cspan\u003emliceceramics. \u003c\/span\u003e\u003cspan\u003eFocusing on the traditional practice of forming clay into soft, organic shapes, Emelie produces monumental yet quietly elegant works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“I work with clay. Building up and sculpting stoneware clay bit by bit. As I use the coiling technique to sculpt my ceramic pieces, my hands are the main tool. I want to simultaneously create a timeless, unique and modern product. I want my work and design to both impact its surroundings and to stand strong alone - to feel elegant in its environment. I love working with natural textures and large shapes, but what inspires me the most is the history and soul of the ceramic tradition. I am thankful to be a part of the ceramic tradition.” - Emelie Abrahamsson\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-94afa405-7fff-8a83-9a1a-0ed7e4ada935\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/emelie-abrahamsson\"\u003e\u003cem\u003eRead more about Emelie's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Emelie Abrahamsson","offers":[{"title":"Default Title","offer_id":57521988272501,"sku":"EA262-1","price":4600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A1343_e165b8a8-a01a-4040-a7a6-94c2d66712ee.jpg?v=1788967309"},{"product_id":"emelie-abrahamsson-curve-vessel-ii","title":"Emelie Abrahamsson 'Curve Vessel II'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 32cm x ⌀ 37cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - Stoneware\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"utf-8\"\u003eWhilst this piece is watertight, it is intended to be purely sculptural\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eWorking with tonal variations created through the application of locally gathered pigments from Hönö, Emelie Abrahamsson employs the ancient technique of egg tempera to colour her vessels. This process preserves the immediacy of the clay’s natural surface, allowing subtle shifts in tone and texture to emerge. The resulting finish carries a remarkable softness and depth, its muted hues responding gently to changing light while maintaining a quiet connection to the landscape from which they originate.\u003c\/p\u003e\n\u003cp\u003ePerfectly balanced in form, this vessel rises from a delicate, narrow foot before expanding outward into a generous, rounded body. The volume reaches its fullest expression only briefly, folding back into itself with quiet confidence toward a restrained opening at the crown. A soft, deliberate indentation interrupts the symmetry, introducing a subtle wave like movement that animates the form without disturbing its composure.\u003c\/p\u003e\n\u003cp\u003eBoth sculptural and functional, the vessel embodies Abrahamsson’s distinctive language: refined yet deeply tactile, contemporary yet rooted in ancient processes. Its presence is one of stillness and restraint, inviting close observation as light travels across its surface, revealing the nuanced tonal variations and the living character of the clay beneath.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEmelie Abrahamsson is an emerging ceramic artist based in Hönö, an island in the Swedish archipelago. She has been working with ceramics since 2018. Today, she creates modern ceramic pieces combining art, design and functionality at her own company, \u003c\/span\u003e\u003cspan\u003emliceceramics. \u003c\/span\u003e\u003cspan\u003eFocusing on the traditional practice of forming clay into soft, organic shapes, Emelie produces monumental yet quietly elegant works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“I work with clay. Building up and sculpting stoneware clay bit by bit. As I use the coiling technique to sculpt my ceramic pieces, my hands are the main tool. I want to simultaneously create a timeless, unique and modern product. I want my work and design to both impact its surroundings and to stand strong alone - to feel elegant in its environment. I love working with natural textures and large shapes, but what inspires me the most is the history and soul of the ceramic tradition. I am thankful to be a part of the ceramic tradition.” - Emelie Abrahamsson\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-94afa405-7fff-8a83-9a1a-0ed7e4ada935\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/emelie-abrahamsson\"\u003e\u003cem\u003eRead more about Emelie's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Emelie Abrahamsson","offers":[{"title":"Default Title","offer_id":57521989124469,"sku":"EA262-2","price":3800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A1485_9706f578-c82e-44ed-b7be-d72badda651a.jpg?v=1788967627"},{"product_id":"emelie-abrahamsson-curve-vessel-iii","title":"Emelie Abrahamsson 'Curve Vessel III'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 26cm x ⌀ 31cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - Stoneware\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"utf-8\"\u003eWhilst this piece is watertight, it is intended to be purely sculptural\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eWorking with tonal variations created through the application of locally gathered pigments from Hönö, Emelie Abrahamsson employs the ancient technique of egg tempera to colour her vessels. This process preserves the immediacy of the clay’s natural surface, allowing subtle shifts in tone and texture to emerge. The resulting finish carries a remarkable softness and depth, its muted hues responding gently to changing light while maintaining a quiet connection to the landscape from which they originate.\u003c\/p\u003e\n\u003cp\u003ePerfectly balanced in form, this vessel rises from a delicate, narrow foot before expanding outward into a generous, rounded body. The volume reaches its fullest expression only briefly, folding back into itself with quiet confidence toward a restrained opening at the crown. A soft, deliberate indentation interrupts the symmetry, introducing a subtle wave like movement that animates the form without disturbing its composure.\u003c\/p\u003e\n\u003cp\u003eBoth sculptural and functional, the vessel embodies Abrahamsson’s distinctive language: refined yet deeply tactile, contemporary yet rooted in ancient processes. Its presence is one of stillness and restraint, inviting close observation as light travels across its surface, revealing the nuanced tonal variations and the living character of the clay beneath.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEmelie Abrahamsson is an emerging ceramic artist based in Hönö, an island in the Swedish archipelago. She has been working with ceramics since 2018. Today, she creates modern ceramic pieces combining art, design and functionality at her own company, \u003c\/span\u003e\u003cspan\u003emliceceramics. \u003c\/span\u003e\u003cspan\u003eFocusing on the traditional practice of forming clay into soft, organic shapes, Emelie produces monumental yet quietly elegant works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“I work with clay. Building up and sculpting stoneware clay bit by bit. As I use the coiling technique to sculpt my ceramic pieces, my hands are the main tool. I want to simultaneously create a timeless, unique and modern product. I want my work and design to both impact its surroundings and to stand strong alone - to feel elegant in its environment. I love working with natural textures and large shapes, but what inspires me the most is the history and soul of the ceramic tradition. I am thankful to be a part of the ceramic tradition.” - Emelie Abrahamsson\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-94afa405-7fff-8a83-9a1a-0ed7e4ada935\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/emelie-abrahamsson\"\u003e\u003cem\u003eRead more about Emelie's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Emelie Abrahamsson","offers":[{"title":"Default Title","offer_id":57521989157237,"sku":"EA262-3","price":2900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A1765_73742ddd-0982-45c1-aea2-74d2448b4c90.jpg?v=1788967546"},{"product_id":"ann-van-hoey-brown-object-i","title":"Ann Van Hoey 'Brown Object I'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 17cm x L 26cm x W 12cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522000396661,"sku":"AVH261-1","price":1550.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2178.jpg?v=1788345924"},{"product_id":"ann-van-hoey-brown-object-ii","title":"Ann Van Hoey 'Brown Object II'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 13cm x L 13cm x W 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522005672309,"sku":"AVH261-2","price":1050.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2175.jpg?v=1788345923"},{"product_id":"ann-van-hoey-teal-blue-object-i","title":"Ann Van Hoey 'Teal-Blue Object I'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 13cm x L 13cm x W 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522005770613,"sku":"AVH261-3","price":1340.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2211_f933d931-8246-4b46-a850-5616caf0875f.jpg?v=1788345921"},{"product_id":"ann-van-hoey-blue-object","title":"Ann Van Hoey 'Blue Object'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 16cm x L 22cm x W 13cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe vessels utilise bold monochromatic colour patterns, interior finishes often contrasting that of the exterior. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522013798773,"sku":"AVH261-4","price":1550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2323_e496ac7e-0df0-49b7-868f-3c445aea32ac.jpg?v=1788345923"},{"product_id":"ann-van-hoey-orange-red-object-i","title":"Ann Van Hoey 'Orange-Red Object I'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 8cm x L 14cm x W 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522013929845,"sku":"AVH261-5","price":830.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2156.jpg?v=1788345924"},{"product_id":"ann-van-hoey-teal-blue-object-ii","title":"Ann Van Hoey 'Teal-Blue Object II'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 15cm x L 20cm x W 14cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only\u003cmeta charset=\"utf-8\"\u003e with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522014880117,"sku":"AVH261-6","price":1340.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2220.jpg?v=1788345922"},{"product_id":"ann-van-hoey-orange-red-object-ii","title":"Ann Van Hoey 'Orange-Red Object II'","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions - H 17cm x L 23cm x W 14cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMethod - Slabs reassembled into a vessel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMaterial - Stoneware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCare - Gentle hand-wash only with water or a soft brush; don't use soap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn’s works are perfectly balanced, with enticingly smooth surfaces and a satisfying weight. Created using a smooth stoneware clay, these pieces are hand-built by rolling out perfectly flat, thin slabs, which are then moulded into one of several forms. Once formed, the pieces are cut and reassembled into intriguing origami-esque sculptures. This process results in endlessly unique silhouettes with the perfect blend of soft, easy curves and crisp edges and folds.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe vessels utilise monochromatic colour patterns, with terracotta-shade interiors often contrasting teal, orange, and brown exteriors. Her pieces are heavily inspired by the Japanese art of origami, an influence that is evident in their carefully considered forms and angled folds. Regularly switching between using seams and overlapping slabs in the structures of her work, Ann creates technically impeccable vessels that reveal her creativity and precision as a ceramicist. While celebrating well-executed design, her final pieces still feel effortlessly poetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAbout the Artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnn Van Hoey is a Belgian ceramic artist with a unique ceramic practice foregrounded by mathematical and scientific precision. She obtained her degree in Ceramics from the Institute for Arts and Craft in Mechelen in 2006, and previously received her Masters in Applied Economic Sciences at the University of Antwerp in 1979. Influenced by this background, each piece by Ann begins as a mathematical equation, ensuring that technical impeccability is maintained throughout her process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/ann-van-hoey\"\u003e\u003cem\u003eRead more about Ann's practice and view her full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Ann Van Hoey","offers":[{"title":"Default Title","offer_id":57522015207797,"sku":"AVH261-7","price":1550.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A2147.jpg?v=1788345923"}],"url":"https:\/\/maudandmabel.com\/collections\/in-balance.oembed","provider":"Maud and Mabel","version":"1.0","type":"link"}