{"title":"TEABOWLS","description":"","products":[{"product_id":"popalini-jezando-chawan-matcha-teabowl-i","title":"Popalini \u0026 Jezando 'Chawan \/ Matcha Teabowl I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ12.5cm x H9cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials - Cornish stoneware with red Shino and a heavy amount of ash from the firing\u003c\/p\u003e\n\u003cp\u003eMethod - anagama-fired\u003c\/p\u003e\n\u003cp\u003eCare - dishwasher safe, but handwashing is recommended\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eCrafted from Cornish stoneware, this larger-sized chawan features a red Shino glaze, enriched with a heavy amount of ash from the Anagama firing. The result is a dynamic interplay of bright natural tones, with subtle hints of matte and metallic shine that highlight the beauty of the glaze. Each piece reflects the raw, organic elegance of the firing process, making it a unique and functional work of art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorking together under the name Popalini \u0026amp; Jezando, Pop Wilkinson and Jez Anderson make collaboratively designed pots, with a particular focus on teaware. They take influence from the traditional pottery of North Devon, which is where they are both from, and also from the subtle understated forms they admired whilst researching wood-firing in Japan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/popalini-jezando?_pos=1\u0026amp;_psq=popalini\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eRead more about Popalini \u0026amp; Jezando's practice and view their full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Popalini and Jezando","offers":[{"title":"Default Title","offer_id":56796167537013,"sku":"PJ261-11","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7115_711368aa-7a2a-41e7-97fe-5f166f325ef1.jpg?v=1772891005"},{"product_id":"popalini-jezando-chawan-matcha-teabowl-iv","title":"Popalini \u0026 Jezando 'Chawan \/ Matcha Teabowl IV'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ13cm x H8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials - Cornish stoneware with red Shino and a heavy amount of ash from the firing\u003c\/p\u003e\n\u003cp\u003eMethod - anagama-fired\u003c\/p\u003e\n\u003cp\u003eCare - dishwasher safe, but handwashing is recommended\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eCrafted from Cornish stoneware, this larger-sized chawan features a red Shino glaze, enriched with a heavy amount of ash from the Anagama firing. The result is a dynamic interplay of bright natural tones, with subtle hints of matte and metallic shine that highlight the beauty of the glaze. Each piece reflects the raw, organic elegance of the firing process, making it a unique and functional work of art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorking together under the name Popalini \u0026amp; Jezando, Pop Wilkinson and Jez Anderson make collaboratively designed pots, with a particular focus on teaware. They take influence from the traditional pottery of North Devon, which is where they are both from, and also from the subtle understated forms they admired whilst researching wood-firing in Japan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/popalini-jezando?_pos=1\u0026amp;_psq=popalini\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eRead more about Popalini \u0026amp; Jezando's practice and view their full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Popalini and Jezando","offers":[{"title":"Default Title","offer_id":56796225700213,"sku":"PJ261-14","price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7105_8f299449-bd42-4858-9d95-570ee7635efc.jpg?v=1772893052"},{"product_id":"popalini-jezando-chawan-matcha-teabowl-vi","title":"Popalini \u0026 Jezando 'Chawan \/ Matcha Teabowl VI'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ12.5cm x H8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials - Cornish stoneware, golden Shino with a heavy amount of ash from the firing \u003c\/p\u003e\n\u003cp\u003eMethod - anagama-fired\u003c\/p\u003e\n\u003cp\u003eCare - dishwasher safe, but handwashing is recommended\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eCrafted from Cornish stoneware, this larger-sized chawan features a golden Shino glaze, enriched with a heavy amount of ash from the Anagama firing. The result is a dynamic interplay of bright natural tones, with subtle hints of matte and metallic shine that highlight the beauty of the glaze. Each piece reflects the raw, organic elegance of the firing process, making it a unique and functional work of art.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorking together under the name Popalini \u0026amp; Jezando, Pop Wilkinson and Jez Anderson make collaboratively designed pots, with a particular focus on teaware. They take influence from the traditional pottery of North Devon, which is where they are both from, and also from the subtle understated forms they admired whilst researching wood-firing in Japan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/popalini-jezando?_pos=1\u0026amp;_psq=popalini\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eRead more about Popalini \u0026amp; Jezando's practice and view their full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Popalini and Jezando","offers":[{"title":"Default Title","offer_id":56796396355957,"sku":"PJ261-16","price":190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7176_256e0caa-1005-4e4e-8f8d-5ca82e9727fc.jpg?v=1772891005"},{"product_id":"popalini-jezando-tulip-yunomi-teabowl-iii","title":"Popalini \u0026 Jezando 'Tulip Yunomi \/ Teabowl II'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ7cm x H6.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials - Cornish stoneware, iron wash exterior with ash deposits and a dark Shino liner\u003c\/p\u003e\n\u003cp\u003eMethod - anagama-fired\u003c\/p\u003e\n\u003cp\u003eCare - dishwasher safe, but handwashing is recommended\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eCrafted from Cornish stoneware, this footed bowl features an iron-wash exterior, enriched with subtle ash deposits that catch the light with a soft shimmer. Inside, a deep Shino liner with contrasting natural tones complements the piece, enhancing its organic beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorking together under the name Popalini \u0026amp; Jezando, Pop Wilkinson and Jez Anderson make collaboratively designed pots, with a particular focus on teaware. They take influence from the traditional pottery of North Devon, which is where they are both from, and also from the subtle understated forms they admired whilst researching wood-firing in Japan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/popalini-jezando?_pos=1\u0026amp;_psq=popalini\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eRead more about Popalini \u0026amp; Jezando's practice and view their full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Popalini and Jezando","offers":[{"title":"Default Title","offer_id":56796430696821,"sku":"PJ261-17c\/d\/e","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7093_bd75e424-c491-43a4-beeb-e84212e195e0.jpg?v=1772891005"},{"product_id":"popalini-jezando-open-yunomi-teabowl","title":"Popalini \u0026 Jezando 'Open Yunomi Teabowl'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ9.5cm x H5.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials - Cornish stoneware, iron wash exterior with ash deposits and a dark Shino liner\u003c\/p\u003e\n\u003cp\u003eMethod - anagama-fired\u003c\/p\u003e\n\u003cp\u003eCare - dishwasher safe, but handwashing is recommended\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eCrafted from Cornish stoneware, this footed bowl features an iron-wash exterior, enriched with subtle ash deposits that catch the light with a gentle shimmer. Inside, a dark Shino liner with a metallic effect contrasts beautifully with the matte exterior\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorking together under the name Popalini \u0026amp; Jezando, Pop Wilkinson and Jez Anderson make collaboratively designed pots, with a particular focus on teaware. They take influence from the traditional pottery of North Devon, which is where they are both from, and also from the subtle understated forms they admired whilst researching wood-firing in Japan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/popalini-jezando?_pos=1\u0026amp;_psq=popalini\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003e\u003cem\u003eRead more about Popalini \u0026amp; Jezando's practice and view their full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Popalini and Jezando","offers":[{"title":"Default Title","offer_id":56796448031093,"sku":"PJ261-19a\/b\/c\/d\/e","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7103_60f938fc-a4f3-4ca5-9964-730f7fe56251.jpg?v=1772891005"},{"product_id":"abigail-schama-medium-raku-bowl-i","title":"Abigail Schama 'Medium Raku Bowl I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W16cm x H9.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis deep, wide tea bowl is held in a soft greenish-grey tone. At the centre, an icy blue glaze pools gently and across the surface, a network of fine, intricate cracks unfolds, interspersed with delicate flashes of soft salmon pink.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable.  This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work.  The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-4\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873804366197,"sku":"ASC261-4","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7727_2942fec6-71a9-40b8-9ad1-6de7ff5bbeb6.jpg?v=1773746972"},{"product_id":"abigail-schama-small-raku-bowl-i","title":"Abigail Schama 'Small Raku Bowl I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W10cm x H6cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis low, open tea bowl's surface holds a soft greenish-grey tone, while at the centre a deep green crackle glaze pools richly, drawing the eye. Fine, intricate cracks move across the piece, accompanied by subtle flashes of soft salmon pink that bring warmth and quiet complexity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable. This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work. The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873901556085,"sku":"ASC261-5","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7934_a3806202-2ed2-4c02-a8e7-06812845aadf.jpg?v=1773588247"},{"product_id":"abigail-schama-medium-raku-bowl-ii","title":"Abigail Schama 'Medium Raku Bowl II'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W11.5cm x H7.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873905848693,"sku":"ASC261-6","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7898.jpg?v=1773229415"},{"product_id":"abigail-schama-small-raku-bowl-ii","title":"Abigail Schama 'Small Raku Bowl II'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W1cm x H5.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"235\"\u003eThis low, open tea bowl holds a soft greenish-grey tone, with a deep green crackle glaze pooling at its centre. Fine cracks travel across the surface, lifted by subtle flashes of soft salmon pink that add warmth and quiet complexity.\u003c\/p\u003e\n\u003cp data-start=\"237\" data-end=\"506\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe piece features a fracture that occurred during firing reflecting the unpredictable nature of the process, carefully restored by the artist using a muted grey composite, a considered feature that embraces the bowl’s history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable. This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work. The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873907224949,"sku":"ASC261-7","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8030_5678ba67-5755-424f-be95-c2978913ed91.jpg?v=1773742866"},{"product_id":"abigail-schama-small-raku-bowl-iv","title":"Abigail Schama 'Small Raku Bowl III'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W12.5cm x H6.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis low, open form carries a gentle, grounded presence, its wide curve meeting a subtly textured surface. Cool bluish greys shift into warmer tones of ivory, while a dark clay body peeks through in places, adding depth and contrast. Fine cracks and delicate markings move across the surface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable. This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work.  The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-4\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873925378421,"sku":"ASC261-9","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8025.jpg?v=1773229716"},{"product_id":"abigail-schama-small-raku-bowl-v","title":"Abigail Schama 'Small Raku Bowl V'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W9cm x H8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis small tea bowl has a softly curved form that meets a subtly textured surface, where cool bluish greys shift gently into warmer tones of ivory. Fine cracks and delicate markings move across the surface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable.  This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work.  The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-4\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1008\" data-start=\"0\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873927016821,"sku":"ASC261-11","price":320.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7743.jpg?v=1773230225"},{"product_id":"abigail-schama-small-raku-bowl-iv-1","title":"Abigail Schama 'Small Raku Bowl IV'","description":"\u003cp\u003e\u003cspan\u003eDimensions - W9cm x H7cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Stoneware\u003c\/p\u003e\n\u003cp\u003eMethod - Raku-fired\u003c\/p\u003e\n\u003cp\u003eCare - Wipe gently with a cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis small bowl has a softly curved form that meets a subtly textured surface, where cool bluish greys shift gently into warmer tones of ivory. Fine cracks and delicate markings move across the surface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor \u003ci\u003eRitual Objects\u003c\/i\u003e, Abigail Schama explores making as a form of ritual, both intentional and unpredictable.  This series of raku-fired works balances planning with surrender. While each piece begins with control, the final outcome is shaped by fire, air, timing, and even the weather. It’s a process that relies on multiple hands and demands responsiveness in the moment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCracks, flashes, and shifting tones emerge through the firing, making each piece entirely unique. Schama embraces this unpredictability, allowing the process to guide the work.  The collection moves between soft greys and sandy tones, alongside deep greens and blues, with rare flashes of pink, an elusive and striking result of the raku process.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach piece stands as a record of transformation, where intention and chance meet.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:ac0c8dd4-4a0c-41b5-8b0b-412988c9cddd-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"2a9af60a-301f-4f9f-95cb-809d9c081086\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eLondon-based ceramic artist Abigail Schama came to pottery from painting, having studied Fine Art at Camberwell College of Arts and Bristol and completing an MA in Art Theory at Chelsea College of Arts. She trained under Loewe Craft Prize finalist Akiko Hirai, who introduced her to the beauty of functionality, and now lives and works in London, where she founded The Mews Coachworks, a female makers community in North West London.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e Influenced by artists such as Rembrandt and Twombly, as well as Ancient Greek and Japanese vessels, Schama reinterprets historical forms as motifs - often rendering them unfamiliar and anthropomorphic - drawing inspiration from Greek mythology while exploring the creative tension between functionality and dysfunctionality. Her works are wheel-thrown in combinations of dark and light stoneware with experimental dolomite and transparent glazes, sometimes further fired and lightly gilded with gold lustre, with each piece retaining the marks and rhythms of its making.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"1008\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/abigail-schama\"\u003e\u003cem\u003eRead more about Abigail's practice and view her full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Abigail Schama","offers":[{"title":"Default Title","offer_id":56873958048117,"sku":"ASC261-10","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A7967_b61a6a3f-cbb6-41c8-81a7-dd4c4252463d.jpg?v=1773233672"},{"product_id":"marco-minetti-summer-sabal-matcha-bowl-iii","title":"Marco Minetti 'Summer Sabal Matcha Bowl III'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 14cm x H 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Iron-rich wild buncheong clay, kaolin slip, feldspar glaze\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown\u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo,\u003c\/span\u003e\u003cspan\u003e in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57123758604661,"sku":"MM261-10c","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4487_8abfc893-b85d-4e07-aea1-92ab8f764021.jpg?v=1778078071"},{"product_id":"marco-minetti-summer-sabal-matcha-bowl-iv","title":"Marco Minetti 'Summer Sabal Matcha Bowl IV'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 16.5cm x H 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Iron-rich wild buncheong clay, kaolin slip, feldspar glaze\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown\u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57123760013685,"sku":"MM261-10d","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4389_744e3141-b030-43f6-841a-8b4069bf84b2.jpg?v=1778078071"},{"product_id":"marco-minetti-spouted-serving-bowl","title":"Marco Minetti 'Spouted Serving Bowl'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 25cm x H 9cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - Iron-rich wild buncheong clay, kaolin slip, almond ash glaze\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown\u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57123764470133,"sku":"MM261-12","price":280.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4366.jpg?v=1778078072"},{"product_id":"marco-minetti-matcha-bowl-i","title":"Marco Minetti 'Matcha Bowl I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 12cm x H 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - a blend of wild clays foraged from the Sierra Nevada range, while kaolin slip, a mix of almond ash and feldspar glaze (some discolouration and patina is normal and embraced with use)\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only, not microwave safe due to the high iron content of the clay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Exact form and finish may slightly vary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57123778822517,"sku":"MM261-15a","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4428.jpg?v=1778078071"},{"product_id":"marco-minetti-soba-style-cup","title":"Marco Minetti 'Soba Style Cup I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 6.5cm x Ø 9cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - a blend of wild clays foraged from the Sierra Nevada range, while kaolin slip, a mix of almond ash and feldspar glaze (some discolouration and patina is normal and embraced with use)\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only, not microwave safe due to the high iron content of the clay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57123795337589,"sku":"MM261-16a","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4492_81c5bf47-bf00-4ed2-a890-de5e3aecdfd8.jpg?v=1778078071"},{"product_id":"marco-minetti-matcha-bowl-iii","title":"Marco Minetti 'Matcha Bowl III'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 12cm x H 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - a blend of wild clays foraged from the Sierra Nevada range, while kaolin slip, a mix of almond ash and feldspar glaze (some discolouration and patina is normal and embraced with use)\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only, not microwave safe due to the high iron content of the clay\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Exact form and finish may slightly vary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57135982412149,"sku":"MM261-15c","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4429_6d8d1a2d-206a-489c-a72b-21714f032ec3.jpg?v=1778078071"},{"product_id":"marco-minetti-matcha-bowl-iv","title":"Marco Minetti 'Matcha Bowl IV'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 12cm x H 8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - a blend of wild clays foraged from the Sierra Nevada range, while kaolin slip, a mix of almond ash and feldspar glaze (some discolouration and patina is normal and embraced with use)\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only, not microwave safe due to the high iron content of the clay\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Exact form and finish may slightly vary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57136064102773,"sku":"MM261-15d","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4406.jpg?v=1778078071"},{"product_id":"marco-minetti-matcha-bowl-v","title":"Marco Minetti 'Matcha Bowl V'","description":"\u003cp\u003e\u003cspan\u003eDimensions - \u003cmeta charset=\"utf-8\"\u003eØ 12cm x H 8.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials - a blend of wild clays foraged from the Sierra Nevada range, while kaolin slip, a mix of almond ash and feldspar glaze (some discolouration and patina is normal and embraced with use)\u003c\/p\u003e\n\u003cp\u003eMethod - Wheel-thrown \u003c\/p\u003e\n\u003cp\u003eCare -  Hand-wash only, not microwave safe due to the high iron content of the clay\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Exact form and finish may slightly vary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThis collection of functional ware is made from iron-rich wild buncheong clay with a crackled slip poured over a wild clay blend. Soft cream tones settle on the surfaces of bowls, plates, teabowls, sake bottles, cups, matcha bowls, and soba drinking vessels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\n\u003cdiv class=\"product__description__content rte\"\u003e\n\u003cp\u003e\u003cspan\u003eHaving travelled through Asia searching in the hopes of finding a more ancient way of learning, living, and thinking, Marco Minetti quickly became inspired by the austerity and timeless warmth of Korean art, and found a corner of the world where ceramic tradition dates back 5000+ years yet is still alive and well in terms of technique.  Marco moved to Korea in 2015 where he lived and studied in Seoul, travelling to the countryside every weekend to begin studying clay.  After six months, Marco moved permanently to live and work with master Kwak Kyungtae, who had been introduced to him by famed master potter Lee Kang Hyo\u003c\/span\u003e\u003cspan\u003e, in his country studio, where after, two years of practice, he began to learn the Onggi method that had been his focus and goal to learn. During his apprenticeship, Marco also went to work and live for a period in Jingdezhen, the ancient porcelain capital of China, as well as travel regularly to Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 2018, Marco co-created \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCeramic Masterclass\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e: workshops in Korea tailored to foreign artists and students of clay.  Then, in early 2020 moved, to California, where he is now building a studio, harvesting wild clay and using natural materials in his own evolving body of work. Influences include antique Chinese\/Korean\/Japanese works from the 14th Century to present day.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/marco-minetti\"\u003e\u003cem\u003eRead more about Marco's practice and view his full collection.. \u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Marco Minetti","offers":[{"title":"Default Title","offer_id":57136095986037,"sku":"MM261-15e","price":130.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A4211.jpg?v=1778078071"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-i","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl I'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 8cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281743061365,"sku":"MI261-15a","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8673_13932520-67d4-40bb-afab-baf749d798d7.jpg?v=1782393189"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-ii","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl II'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 9cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281743847797,"sku":"MI261-15b","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8793_ac311d7e-223d-4e57-a1f9-ffeae9bba44a.jpg?v=1782393187"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-iii","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl III'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 10cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281744372085,"sku":"MI261-15c","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8805_26800c9c-dbd4-406a-9245-f6fc1465ec43.jpg?v=1782393185"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-iv","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl IV'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 9.5cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281744798069,"sku":"MI261-15d","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8759_96c7bb67-4096-4e3e-bf69-6120ab6f8de3.jpg?v=1782393186"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-v","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl V'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 9cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281744863605,"sku":"MI261-15e","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/F35CBB99-A4A8-4FC6-8E32-03AC4F9F2462_1_201_a.jpg?v=1782815327"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-vi","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl VI'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 9cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281744929141,"sku":"MI261-15f","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8838_998bf29d-e5a5-4178-ba0d-fbdce019608a.jpg?v=1782393183"},{"product_id":"masaaki-iwasa-silver-glazed-tea-bowl-vii","title":"Masaaki Iwasa 'Silver Glazed Tea Bowl VII'","description":"\u003cp\u003e\u003cspan\u003eDimensions - H 8.5cm x \u003cmeta charset=\"utf-8\"\u003eØ 10cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMaterial - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA combination of Bizen (dense, high-iron) and Shigaraki (coarse, quartz-rich) stoneware clays, silver and bronze foil and lacquer \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMethod - Hand built and finished using Totai-shikki, a traditional Japanese craft that fuses ceramic pottery with lacquerware (urushi) \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCare - \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eClean gently with damp cloth and dry. Do not soak. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIwasa’s works balance architectural presence and quiet strength. Geometric planes, sharp angles and refined lines are disrupted by fractures and irregular breaks, creating a dialogue between precision and spontaneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe surfaces are equally complex, areas of smooth, stone like finish sit alongside passages of intricate, weathered texture, suggesting the gradual effects of time and erosion. Finished using Totai-shikki, (a traditional Japanese technique that combines ceramic and urushi lacquerware) the pieces reveal rich, layered surfaces. Calm white, silver, bronze and deep red planes fracture and clash with deep blacks across their surfaces, an introduction of movement and drama resembling abstract details of a stormy seascape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBoth monumental and deeply considered, Iwasa’s vessels embody a tranquil balance of opposing qualities, strength and fragility, refinement and rawness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eAbout the Artist \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMasaaki Iwasa is a ceramic artist based in Izumo. Originally from Ehime Prefecture, he trained in Bizen and Shigaraki pottery before establishing his own kiln in Izumo. His work is centred on totai-shikki, a distinctive ceramic lacquerware technique that combines clay, lacquer and silver foil to create surfaces with a metal-like texture and depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__block product__description rte\"\u003e\u003ca href=\"https:\/\/maudandmabel.com\/collections\/masaaki-iwasa\"\u003e\u003cem\u003eRead more about Masaaki's practice and view his full collection..\u003c\/em\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Masaaki Iwasa","offers":[{"title":"Default Title","offer_id":57281745027445,"sku":"MI261-15g","price":470.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0233\/5583\/files\/7R1A8841_7465fecd-ad2e-490b-b117-4b8d2c8444f7.jpg?v=1782393189"}],"url":"https:\/\/maudandmabel.com\/collections\/teabowls-1.oembed","provider":"Maud and Mabel","version":"1.0","type":"link"}