Please note : Purchases from the 'Appearing & Disappearing' exhibition will be dispatched from the 18th October.

Motomu Oyama 'Kurosabi Kakehana' Black rust hanging vase 5
Motomu Oyama 'Kurosabi Kakehana' Black rust hanging vase 5
Motomu Oyama 'Kurosabi Kakehana' Black rust hanging vase 5

Motomu Oyama 'Kurosabi Kakehana' Black rust hanging vase 5

Maker: Motomu Oyama

Regular price $350.00

Handmade in Japan

Dimensions: W 5cm x Ø 14.5cm

Materials: Iron

Method:  hand forged

Care: Watertight, however, due to the nature of the material the surface, piece will age over time 

 

Description

The ‘Kurosabi Kakehana’ Black Rust Hanging Vase demonstrates exquisitely crafted metalwork. With a circular face and curved edge, it asks to be sat against the wall like a clock, tuning into contemplation of time. The vase's use of simplicity of form allows a focus on the beauty of the textural qualities of rusted iron and the subtle variation of the dark tones that pattern the surface. The opening is outlined by jagged edges as if the edge has naturally worn down to form a hole. Through the form and rough surface, it takes on a weathered look that celebrates beauty in the process of change over time. By melding together a beautiful silhouette and textural surface, the metalwork is presented here with elegant simplicity.

 

About the Artist

One of Japan’s leading blacksmith artists, Oyama grew up in Tokyo and started his career as an illustrator after studying painting at an art school in Tokyo. Since then, he has worked in commercial art, and currently works as a metal artist in a studio in Yamaguchi Prefecture. He mainly makes lighting, flower vases, tea utensils, and objects made of iron. The artist has held group and solo exhibitions at galleries throughout Asia, Europe, and the United States.

He is perhaps most well known for his iron works. Oyama’s work explores the beauty and properties of iron and is inspired by the lush nature that surrounds his home in Kumage, Japan.

Oyama was first introduced to iron work after being commissioned to create a 3D metalwork piece; he was so mesmerised by the beauty and potential of iron that he has not stopped working with it since.

His practice continues to evolve as he experiments with the material, attempting to understand its properties more deeply. Because the properties of iron – the way it rusts, melts and bends – will never change, Oyama has described how he must therefore keep an open mind to change his perception of the material rather than vice versa.

Oyama is able to create works which feel soft and polished, rather than heavy, industrial or cold as iron is often thought to be. In doing so, the artist creates a different visual language for this ancient craft of blacksmithing.