Please note : Purchases from the 'Appearing & Disappearing' exhibition will be dispatched from the 18th October.

Motomu Oyama 'Kurosabi plate' Large black rust plate 11
Motomu Oyama 'Kurosabi plate' Large black rust plate 11
Motomu Oyama 'Kurosabi plate' Large black rust plate 11

Motomu Oyama 'Kurosabi plate' Large black rust plate 11

Maker: Motomu Oyama

Regular price $196.00

Handmade in Japan

Dimensions: Ø 23.5cm x  H 1cm

Materials: Iron

Method:  hand forged

Care: Due to the nature of the material the surface, piece will age over time 

 

Description

This 'Kurosabi Plate' large Black rust plate demonstrates exquisitely crafted metalwork. The plate is circular with a subtle folded edge. The use of simplicity of form allows a focus on the beauty of the textural qualities of rusted iron and the slight variation of the dark tones that pattern the surface. The dark exterior is uneven and rough, celebrating the poetic textural qualities that iron can have. Melding together a beautiful silhouette and textural surface, metalwork is presented with elegant simplicity.

 

About the Artist

One of Japan’s leading blacksmith artists, Oyama grew up in Tokyo and started his career as an illustrator after studying painting at an art school in Tokyo. Since then, he has worked in commercial art, and currently works as a metal artist in a studio in Yamaguchi Prefecture. He mainly makes lighting, flower vases, tea utensils, and objects made of iron. The artist has held group and solo exhibitions at galleries throughout Asia, Europe, and the United States.

He is perhaps most well known for his iron works. Oyama’s work explores the beauty and properties of iron and is inspired by the lush nature that surrounds his home in Kumage, Japan.

Oyama was first introduced to iron work after being commissioned to create a 3D metalwork piece; he was so mesmerised by the beauty and potential of iron that he has not stopped working with it since.

His practice continues to evolve as he experiments with the material, attempting to understand its properties more deeply. Because the properties of iron – the way it rusts, melts and bends – will never change, Oyama has described how he must therefore keep an open mind to change his perception of the material rather than vice versa.

Oyama is able to create works which feel soft and polished, rather than heavy, industrial or cold as iron is often thought to be. In doing so, the artist creates a different visual language for this ancient craft of blacksmithing.